아는 누나한테 영어 해석을 부탁 받았는데. 음.
못하게써요..ㅠ.ㅠ 대충 이해는 하겠는데.. 정확한 해석이 필요한 지라..
그리 어렵지는 않으니깐. 피지알 여러분 도와주십쇼!!

I have of compared the artist to the orchestral conductor ,who is able to prepare and

develop his emotional and his dynamic climaxes.

And with the whole colourful and infinitely varied tone palette of the modern orchestral

combination responsive to his slighhtest indication ,the conductor ,who plays upon

this human key-board without having to pre -occupy himself with the acttual physical

production of its music ,seems to have the advantage over the violinist.

Yet the violinist ,with only his four strings to draw upon,has within his far more limmited range of tone volume almost equal opportunities for variety in expression .

What he may lose in contrast in instrumental timbres ㅡfor he has only the violin tone to exploit ,and cannot evoke the tonal quality of the  wood -winds or brasses from the violin stringsㅡhe makes up again in the wonderful flexibility and variety of the violin tone itself.

No wind instrument ㅡthe flute ,the oboe,the calrinetㅡno matter how well played ,can fail

to produce an impression of monotony in solo performance,if heard long enough .

This lies in the less flexible quality of its timbre.But the violin tone is cap -produced by

a good player.It has even an  advantage over other instruments of the string family itself

in this respect.Take the 'cello,for instance.The'cello is essentially a malody instrumment,

a lyric instrument .It is the baritone voice among the strings,and the sustained melodic

line and not the brilliant coloratura passage is its natural mode of expression.

It is true that there are exceptions to these rules:that a David Popper could exploit its

higher registers in compositions strikingly effective in their swift tempos and brilliant passage -work ;that a Pablo Casals can do anything ,emotionally or technically,with

the instrument,and make us  forget while he is playing it that his instrument is a 'cello

with the specific limitations of a ' cello,and remember pnly his mastery of the strings

and string tone.But ,generally speak -tone inflexion which the violin possesses.

Beethoven wrote ten sonata and a concerto for the violinㅡ he wrote only five sonatas

for'cello